Mondo präsentiert in Kooperation mit Interscope Records den brillianten Soundtrack des Hip-Hop-Duos The Coup zur US-Sci-Fi-Fantasy-Komödie "Sorry To Bother You" (2018) des Regisseurs und Drehbuchautors Boots Riley. Mit Killer Mike, Janelle Monáe, Tune-Yards, E-40, natürlich The Coup und Boots Riley als MC. Speziell remastered für (weisses) 180g Vinyl, erscheint die LP in zwei ähnlichen Coverausführungen, die allerdings per Zufallsprinzip gemischt sind.
Back in stock ! After breaking out of the Bay Area underground scene in the early 90s Del The Funky Homosapien made a radical turn with his sophomore release, 93’s "No Need For Alarm.” Casting aside the familiar G-funk vibe of his debut, perhaps as “No Need” was produced without the involvement of his cousin Ice Cube, he moved into a jazzier – some would say more East Coast direction on this project. The verbal content on “No Need” shifted as well, moving away from comic interludes and towards a focus on battle raps. “No Need For Alarm” was produced with his Oakland based Hieroglyphics Crew with Domino, A-Plus and Casual all contributing beats making the record one of the three “Hiero Golden Age” releases (along with Souls of Mischief’s “’93 til Infinity” and Casual’s “Fear Itself”). Though some critics are harsh on “No Need For Alarm” and claim it's not as strong an effort as Del’s debut, many disagree and see this release as being the first where Del really stood out. Regardless of which side of the fence one falls on that topic, it's without doubt that "No Need For Alarm" has stood the test of time and remains a challenging and uncompromising follow up from one of the most talented and eccentrically gifted artists to to ever emerge from the world of west coast hip hop.
Back in stock! The Professionals - Beats by Madlib. Raps by Oh No. Real. Rap. Shit. Featuring Adub, Elzhi, Chino XL. LP Comes Housed In A Die-Cut, Embossed Jacket Exclusive To The First Pressing. Madlib is a highly regarded and influential hip-hop producer and occasional rapper, who has left his distinct and stylized sound on classic tracks and critically beloved albums by the likes of MF DOOM (Madvillain), J Dilla (JayLib), Talib Kweli (Liberation), Georgia Anne Muldrow (Seeds), and more. Madlib's collaborations with rapper Freddie Gibbs (Piñata & this year's Bandana) are some of the most acclaimed hip-hop records of the past decade, and his various DJ mix compilations (Madlib Medicine Show, Beat Konducta) have earned high praise from a vareity of journalistic sources. Oh No is a rapper and producer who has left his mark across a wide swath of releases. His 2006 concept album Exodus Into Unheard Rhythms (Which exclusively sampled the works of musical theatre composer Galt MacDermot) was highly acclaimed upon its release, as well as his various crate-digging DJ mix projects (Dr. No’s Oxperiment, Dr. No’s Ethiopium). He has produced tracks for the likes of Danny Brown, Action Bronson, Aloe Blacc, Talib Kweli, and Prodigy, while contributing guest verses to tracks by Czarface, Apathy, Murs, Little Brother, and more Madlib. Oh No. The Professionals.
R.A. The Rugged Man is one of the most fascinating figures in hip-hop history. His career spans decades, and defies simple narratives. The Rugged Man has been an up-and-coming star, an industry outcast banished and forgotten, an underground cult hero, an independent success story, and an influential master of the art form. Now, R.A. The Rugged Man is back with ""All My Heroes Are Dead"", a brand new album that stands as his best work to date. “So many of the greats are gone, and the legends who made it out alive are cast aside,” R.A. explains. “Society left our heroes and their culture for dead. We have to dig that greatness out of its grave, and bring it back with an angry vengeance.” "All My Heroes Are Dead" features an all-star lineup of hip-hop heavyweights, including Atmosphere, Chuck D, Ghostface Killah, Immortal Technique, Vinnie Paz, Ice T, M.O.P., Kool G Rap, Brand Nubian, DJ Jazzy Jeff, Chris Rivers, Onyx, Inspectah Deck, A-F-R-O, Masta Killa, and more.
Back in stock ! Previously released, first reissue in 20 years, first time on 2XLP for RSD2018 While hip-hop was experiencing a creative revolution in the late 1980s and early 1990s, the genre was still somewhat restricted geographically, primarily dominated by New York City and Los Angeles. Acclaimed artist Common was among the first successful rappers from elsewhere, officially putting Chicago on the hip-hop map with this debut album Can I Borrow A Dollar?. Released in 1992, the album is a vintage boom-bap masterpiece, with famed producer No I.D. behind the boards on 12 of 13 tracks. It also marks the beginning of a storied career, as Common would go on to release three gold albums, create classics with the likes of J Dilla and Kanye West, win multiple Grammys and even an Academy Award, and land several major roles as an actor. Long out-of-print, Can I Borrow A Dollar? is now back on 2LP vinyl while supplies last. This 25th anniversary edition also includes a bonus 7” featuring the rare B-side “Can-I-Bust” and the instrumental for the single “Breaker 1/9”.
Back in stock! CZARFACE, iron clad crime fighter, heroically returns to his lair after two spine-chilling adventures with MF DOOM and GHOSTFACE KILLAH. In his secret hideout, he has whipped up a few uncanny surprises for longtime Czar fans...expect curveball concepts, solo exploits, and noggin nodding neck-snappers alike. “The Odd Czar Against Us” launches this winter on compact disc and vinyl, and CZARFACE goes full Voltron, employing every asset in his arsenal, maximizing lyrical efforts from Inspectah Deck & Esoteric and pulse-pounding production from in house beatsmith 7L & Jeremy Page. This album stands to be the group’s most ambitious and challenging effort to date. Are the odds against him this time, or are they against the underworld? Tune in to find out!
Back in stock! This special edition 2xLP package comes housed in an all new exclusive jacket featuring DOOM’s infamous metal mask icon ebbossed out of a ,etallic silver foil. Each record is pressed on special “Gun Metal” colored vinyl. An absolute must have for the DOOM completist. The long awaited reissue of DOOM's first solo gem, Operation: Doomsday. Remastered from the original Fondle 'Em 1999 issue. Side A is listed as "Side Zero". Side B is "Side One". And so forth. Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After KMD (his first group)’s 1994 sophomore album Bl_ck B_st_rds was shelved by Elektra in 1994 and his blood brother Subroc (one half of the sibling rap duo) passed away, surviving frontman Zev Love X mutated into the MC Avenger known as MF DOOM and the Rap world is better for it. This 19-cut deep album is ridiculously dope, in a bizarro Ol’ Dirty Bastard kind of way. Doom sounds either high or drunk on most of the tracks, his self-produced beats are gritty, and his rhyme styles are almost indecipherable. On arguably the best track, “Rhymes Like Dimes,” Doom weaves some pointed lyrics through his abstract wordplay, spitting ‘only in America could you find a way to earn a healthy buck / And still keep your attitude on self-destruct.’ Who You Think I Am? features DOOM‘s crew M.onster I.sland C.zars, while on “?” he trades hot verses with former Columbia artist Kurious Jorge. Doom’s avant-garde ghetto-rhyme philosophies take even more intentionally weird twists on “Tick, Tick...” where he and guest MC MF Grimm’s flows warble over a rhythm track whose tempo speeds up and slows down continually. The comic-book themed skits, will help take you deep into the mind of an MC who is as otherworldly as they come. And in today’s bland commercial Rap universe, Operation Doomsday’s left-of-center beats and rhymes are the perfect remedy.
Back in stock! There are very few albums across any genre that stand the test of time better than 93 ‘Til Infinity, the classic debut record from the Hieroglyphics crew’s very own Souls of Mischief. In an era where Gangsta Rap and G-Funk dominated the West Coast Rap scene, Souls broke ground on a completely unique and thoroughly west coast sound. While the Dr. Dre’s and the Snoop Doggs were garnering much of the mainstream attention, Souls were quietly forging a charismatic, critically acclaimed, and cohesively shaped record that when categorized, sounded much closer to A Tribe Called Quest than N.W.A. The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples. 93 ‘Til Infinity was propelled into success by its title track and lead single, which reached #32 on the Billboard Hot 100. It also featured singles “That’s When Ya Lost” and “Never No More” which also reached the Hot Rap Singles. In 1998, the album was selected as one of The Source’s 100 Best Rap Albums of All Time. Considered by many to be a text book “slept-on” classic Rap record, 93 ‘Til Infinity has only grown better with age. The album simply defines the Hiero golden age with a sound that would later be fine tuned with strong releases from MCs Del The Funkee Homosapien, Casual and Pep Love. It takes some serious bravado to name your album 93 ‘Til Infinity, but certainly the goal of creating a Hip Hop “classic” must have been on the collective minds of group members A-Plus, Tajai, Opio, and Phesto when recording this landmark moment in Hip Hop history. It’s true, even seventeen years after the album’s initial release many people are still discovering it, and with this re-mastered reissue on double vinyl, fans all over the world will once again discover the brilliance that 93 ‘Til Infinity delivers and will continue to deliver beyond infinity.
Many know Esoteric as the rhyme partner of Wu-Tang's Inspectah Deck with their group CZARFACE and their collaboration with MF DOOM, but before Czarface landed on Earth, his co-creator was trapped in Japan during a nuclear explosion. Esoteric emerged from the waters of Tokyo Bay, bringing chaos, crisis, and hysteria with him. Armed only with the sounds of 70's and 80's Japanese classics, Esoteric must strike against the uncompromising forces that aim to dismember him. The sound he created, which he calls "Mecha Mecha," stands as the boldest of the daring directions Esoteric has taken his music. With other genre-bending efforts such as Czarface meets Metal Face and Czarface meets Ghostface, the world needs to hear how he handles the beautiful country of Japan. For the first time ever on vinyl, exclusively on red wax, we bring you Esoteric vs. Japan: Pterodactyl Takes Tokyo.
Back in stock ! Madlib, the prolific producer and adept sampler with a record collection spanning all genres and eras and Freddie Gibbs, the gravel-voiced braggadocios rapper, a vocal athlete. As a pair, they exude a natural chemistry and craft an alchemical music. Reunited after their widely celebrated 2014 album Piñata, Gibbs and Madlib are back with Bandana, a brand new collaboration for 2019. Bandana includes first single, “Flat Tummy Tea,” which received critical praise upon release from the likes of Rolling Stone, Billboard, Vulture, Pitchfork, FADER, GQ, and more. The album will also include features from Pusha T, Killer Mike, Yasiin Bey, and Black Thought and more.
Repressed! Jurassic 5 flexed serious old-to-the-new muscles in the ‘90s, beginning with their independently released single “Unified Rebelution” in 1994, and book-ending with their stellar debut full-length: 2000’s Quality Control. They walked a tightrope between underground and mainstream hip-hop, and toured alongside rap peers as well as punk rockers on the Vans Warped Tour. With double the pleasure of your average hip-hop group – two DJs and producers (Cut Chemist and DJ Nu-Mark); and four MCs (Chali 2na, Akil, Marc 7 and Zaakir aka Soup) – they brought the late 1970s “unison MC” style of pioneering groups like the Fantastic 5 and the Force MCs to a new generation. Even more surprisingly, they did so out of Los Angeles, whose hip-hop flavors generally leaned towards Gangsta, G-Funk or Electro lines. Musically inventive and lyrically forward-thinking, each song on Quality Control is a new adventure, exploring engaging territory, delivered via one of the best live hip-hop shows fans had seen in years. From singles like the strutting groove of the title track to the throwback doo-wop samples on “The Influence” and the catchy, keyboard groove-driven “World of Entertainment (WOE Is Me),” to deeper album tracks like the lyrical gymnastics of “Jurass Finish First” and the thought-provoking “Lausd,” Jurassic 5 consistently stepped to the plate and their fans responded in kind, nearly pushing the album to Gold status. Add the innovative DJ-and-sample workout which closes out the album, “Swing Set,” and you have one of the 2000s’ most unique and solid full-length platters.
Back in stock ! In 1994, hip-hop was going through an at-times painful growth spurt. Since N.W.A.’s and Ice-T’s ascent in the late ‘80s, the rap game was no longer owned by the East Coast. After the worldwide popularity of Dr. Dre’s The Chronic in 1992, things were looking even worse for hip-hop’s hometown. The East Coast / West Coast feud that would later indirectly claim the lives of Biggie and Pac was still in its infancy, but New York needed a shot in the arm. The hype behind young Queensbridge native Nasir “Nas” Jones had been in full swing months before his smash debut album Illmatic, thanks to Columbia Records’ promo machine. From his earliest appearance on Main Source’s “Live at the BBQ,” to his own accomplished debut “Half Time” (as Nasty Nas, on the Zebrahead soundtrack in late 1992), it was clear that this kid was something special. In fact, the pressure on him must have been overwhelming at times. April 19, 1994 couldn’t have come soon enough. And as soon as the first lines of “N.Y. State of Mind” kick in, bolstered by perhaps DJ Premier’s darkest beat of all time, the entire East Coast breathed a collective sigh of relief. God’s Son had arrived. Backed by an absolute all-star cast of New York’s top-shelf producers – Premier, Pete Rock, Large Professor, Q-Tip and a youngster named L.E.S. – the album never lets up. Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year old Nas stood on the shoulders of his predecessors and proudly proclaimed, “Don’t f*** with the East… we are BACK.” Illmatic was actually a slow-burn, which might surprise fans that have come to its genius more recently. Despite an unheard-of “5 Mics” in The Source – despite an unwritten rule of never awarding classic status to debuts – it didn’t go gold until early 1996, and didn’t hit platinum status until late 2001. But when you dive deeper that shouldn’t be a shock: like Black Moon and Wu-Tang’s debuts, it was a dark, hard record, made for heads in New York, not teeny-boppers in Des Moines. There were no dance beats, no crossover love songs. Just boom-bap and rhymes, skills and heart.
Ol' Burger Beats & Vuyo - Norwegens neuestes Dreamteam in Sachen souliger und jazzbetonter HipHop-Musik mit nachdenklichen Texten und Attitüde präsentieren ihr Debütalbum "Dialogue" via Jakarta Records. Ol' Burger Beats ist ein eingeführter Name in der internationalen Beatszene mit zahlreichen erfolgreichen Instrumental Projekten sowie Produktionen für MCs wie Quelle Chris, Jeremiah Jae, Illa J oder Chester Watson.
Berlin rapper JuJu Rogers presents his highly anticipated sophomore LP 40 Acres N Sum Mula featuring Sampa the Great and production by Farhot (Isaiah Rashad, Talib Kweli), Like (the producer behind Kendrick Lamar's "Sing About Me"), Crada (Drake, Kid Cudi) and more.
Repressed! REMASTERED FROM THE ORIGINAL TAPES & PRESSED ON LOUD DOUBLE VINYL! Hot of the success of Jay-Z’s Reasonable Doubt, producer extraordinaire Ski was on fire when he flipped Dynasty’s “Adventures In The Land of Music” for Camp Lo’s breakout 1996 smash single “Luchini aka This Is It”. The same year saw Camp Lo opening shows for De La Soul during their Stakes is High tour. Combine that with the fact that Ish aka Butterfly from Digable Planets had cosigned for the group’s reputation and would appear on of the tracks (in addition to Trugoy from De La), there became a huge buzz around their debut album Uptown Saturday Night. Fast forward a few months to January 1997 and the heavily anticipated release of Camp Lo’s first record, which did not disappoint. It struck the perfect balance between club tracks and underground bangers for the mixtape crowd. Critically acclaimed and fan approved, this late 90s must-have was complimented by the incredible cover art illustrated by legendary NYC graffiti artist Dr. Revolt that paid homage to Marvin Gaye’s 1976 classic I Want You. It’s hard to believe in the time of Puffy’s heyday, Camp Lo had developed and delivered a style of Hip Hop that was not only fresh and creative, but also straight up dope. Flipping intricate rhyme styles over some of Rap’s finer beats, the fact that Camp Lo got main stream radio play and love from big time club DJ’s is a testament to the essence of what Hip Hop was once about: raw talent and originality!
The highly acclaimed emcee/producer J Scienide presents his debut solo album “The Actual Heat”. The Washington D.C. based artist delivers a gritty 13 track project with features from hip hop heavyweights Kev Brown, Kenn Starr, yU Nolan, Grap Luva, Supastition, DJ Iran, DJ Jon Doe. With clever wordplay over dusty, rugged beats, this album brings the golden age of hip hop into the present day. Stadtaffe erwies sich sowohl in kommerzieller als auch in künstlerischer Hinsicht als Erfolg. Das Album erreichte Platz eins der deutschen und österreichischen Charts, insgesamt drei Singles waren in den Top 10 vertreten und auch im näheren europäischen Ausland erfolgreich.
Midnight Marauders is the third studio album by American hip hop group A Tribe Called Quest, released on November 9, 1993, by Jive Records. Recording sessions for the album occurred at Battery Studios, Platinum Island Studios and Scorcerer Sound in New York City.
The Ownerz is the sixth and final studio album by the hip-hop duo Gang Starr, recorded two years before the duo broke up. It was well-received critically and boasts four singles, "Skills," "Rite Where U Stand," "Nice Girl, Wrong Place," and "Same Team, No Games." Continuing with the Respect The Classics campaign, UMe will be reissuing this classic album back on vinyl for the first time in over 10 years!